Friday, February 11, 2011

Update at last

Wow, LOTS of stuff has happened in the past AGES I haven't posted. I'll start with the latest news though, I went to Nintendo's "setsumeikai" today. A "setsumeikai" is a complany explanatory meeting which is also often the first stage of their recruitment process. The one I went to today is, sadly, for next year but I was still lucky to be able to go - I was too late when I applied, and only got in because somebody cancelled. I had to wear a suit and learned the valuable lesson /not/ to wipe your glasses on your suit jacket because it won't wipe away the oil from your fingers at all, it'll make your lens shine!

Anyway the setsumeikai had two parts, the first part was a speech from Iwata Satoru, the CEO, and the second part was a little chat session with Nintendo employees where we could ask them questions. Mr Iwata's speech was great - really inspiring. He should be a motivational speaker. XD He talked about how Nintendo makes products that are not necessary to life - games, toys. And because these things are not necessary, people will not put up with flaws or difficulties in order to use them. For example, when using a computer at first, people will put up with how hard it is because they /need/ to use the computer - to check their email, or whatever. But when it comes to games, people don't need them so if they're too hard to use they'll just give up on them and move onto something better. This is why Nintendo tries to make its games as accessible to users as possible. He talked about how many people were quitting gaming, how game controllers were getting more and more complex, and less and less accessible to people who were new to gaming. He talked about thinking outside the box, about innovation, about flexibility and adaptability. He threw in some life lessons about communication and getting along with people and making people happy. It was all very uplifting, haha.

He also mentioned that in Japan the words "senryaku" and "senjutsu" were starting to be used interchangeably, but in fact "senryaku" refers to your goal, and "senjutsu" refers to your method of getting there. He said you should stick to your goal, but be flexible with regards to your methods. He said that things people considered ridiculous or not "common sense" - like the idea of a game machine with 2 screens - can become "common sense" once they're shown to work. That most game companies target existing gamers, but Nintendo thought, why limit your market? Why not expand that market by expanding the category of gamers - enticing casual, ex- or non-gamers into the market the way the DS and Wii have with their simple and intuitive controls. He said that toys and games by nature will lose their novelty and thus they always need to be thinking of new ways to surprise and entertain people - it's like feeding a fickle and fussy king who doesn't want to eat the same dish twice, he said. But also that it's a very rewarding job to see the king eat the amazing new dish you made.

He said that when he goes overseas and people are suspicious of why he's entering their country, as soon as he tells them he's from Nintendo, their faces light up and they start asking him when their new products are coming out. He considers this a real achievement.

Saturday, January 29, 2011

Found this little note stuck to a telephone pole in (I think) Shibuya.


It reads,
"Things that will greatly change your life
lie all over the city
However
You must be vigilant
Or you will never
find them"

Signed Sekoraba.
On New Years I found this graffiti in Saginomiya. It was about 3am and kind of eerie.

Sunday, January 9, 2011


Also I finally ate one of those Gundam taiyaki things at the Gundam Cafe. I picked one of the most popular ones. It was delicious and full of custard.






Lots of stuff going on so I haven't made time to blog lately, but mainly I've been drawing like crazy, gaming, and celebrating New Year's.

A couple weeks ago I went to this retro tin toy shop (which appears to be another member of the Mandarake chain!) in Nakano Broadway Shopping Arcade, which has quickly become my favorite place to shop. They first objected to my taking photos because of people taking down their prices, but they let me after making sure it was just going on a blog. The sign in above of the entrance says Henya - "shop of strange things" I guess.


Also I like window shopping at the famous Tokyu Hands in Shinjuku, which is where I also buy manga tools. If I was artsy fartsy and lived in an expensive modern apartment I'd really want these clocks...




Thursday, December 23, 2010

31 or...?

This is from ages ago but I ate ice cream with two friends of a friend who were in Tokyo to see Utada Hikaru's WILD LIFE concert! We were looking for a place to eat ice cream in winter and went to the koban (police stand) to ask, because cops should know where that stuff is. (And they did, very kindly, point us to the nearest Baskin Robbins.)

Baskin Robbins in Japan is called 31. Because when the initials B and R are put together they kind of form the number 31. I don't get it.

Baskin Robbins ice cream is expensive here but so festive~!

Friday, December 17, 2010

Getting down to storytelling

Lots of stuff going on, I don't know where to start.

Well, I've been doing English babysitting, which is a real challenge because it's an 11-month-old girl, and 11-month-olds don't want to play with you or hear you talk, they want to grab whatever catches their fancy and throw them. She's actually noticeably improved after one session of me talking non-stop to her, though - she can almost say "hi" now and waves. Yay.

I also went to the creative arts section of a vocational school (not the Manga Juku, a different place) and met with a professional mangaka - Fukuyama Youji sensei, the creator of Mademoiselle Mozart. He lectures there now. When we first saw him he was making beautifully detailed figures out of something like plasticine. Apparently all you have to do to harden the figure is stick it in the microwave. He was saying how easy a class this was as there wasn't much to teach about model making - and manga students would come here to relax when they got stuck or uninspired and come make their characters in 3D. He had a botched head on a piece of wire that looked so cool, and I asked him if he was throwing it away, and he said in a sort of singsong voice, "Nope, you can't have it." As he can't let a botched piece out into the world.

He and his wife gave me some really helpful advice on my work. While earlier people I met with at the school hinted at how some of the kids had no motivation and were pretty much flunking the classes, with a sort of cool disapproval on their faces, I got none of that negativity from Fukuyama sensei. He was very accepting and he and his wife were both funny, cheery and laid-back. They suggested I get used to inking things the traditional way - using pen nibs - and draw in a way that will appeal more to Japanese tastes in order to get assistant work. They also said what I expected - that the most important thing in manga is /expressing/ the story you're trying to tell - and as my art is already fine I need to show I can do the story and expression side of things. He was very nice about my art, taking time to look at it properly and giving a bit of praise and constructive criticism. I'm going to make something before I see them again in January, on one of the days I can take free classes there.

On that topic, I notice there isn't really any kind of "indie comic" scene in Japan (unless Comike counts). Aspiring mangaka will choose a manga magazine they want to get published on, and slave away at trying to get accepted. Teachers advise students not only based on skill, but also based on how well they're appealing to their chosen magazine's target audience. It makes me wonder what those people do who want more freedom in their work. I guess they "gaman" - grin and bear it for the time being, until they reach a level of success where they can take more liberties.

One of the school directors was telling me that thanks to the recently passed law restricting expression in anime and manga, some of their school activities such as animation screenings will no longer be held in Tokyo. :(

There were quite a few non-Japanese there, too. I met a Brazilian guy who attended the school between return trips home and back to renew his tourist visa. There were quite a few Koreans, Chinese and Taiwanese around.